Monthly Wallpaper - June 2011: Queer Cinema

In celebration of Gay Pride month, Movie Dearest once again offers up a special calendar wallpaper for June paying tribute to some of the best in queer cinema.

The 2011 edition features such old and new GLBT favorites as The Hours, A Single Man, Little Ashes, The Boys in the Band, Heavenly Creatures, The Wedding Banquet, Breakfast on Pluto and The Birdcage.

All you have to do is click on the picture above to enlarge it, then simply right click your mouse and select "Set as Background". (You can also save it to your computer and set it up from there if you prefer.) The size is 1024 x 768, but you can modify it if needed in your own photo-editing program.

Reverend's Preview: Summer Picks for GLBT Moviegoers

In addition to Beginners (opening June 3) and an onslaught of superhero epics, there are a number of movies being released between now and the end of August that will be of special interest to the GLBT community:

Mr. Popper's Penguins (June 17): OK, so a family film starring Jim Carrey as the surprised recipient of a gift of six penguins might not seem like gay-interest fare. Throw co-star Angela Lansbury into the mix, however, and it becomes the biggest event for her GLBT fans since her 2009 Tony Award-winning turn in Blithe Spirit on Broadway!

The Smurfs (July 29): Similarly, a big-screen version of the more irritating than charming kiddie icons from the early 1980's may tempt us to run screaming from our local multiplex, but Neil Patrick Harris (its openly gay star) will no doubt get me to fork over $10 to watch him help the little blue animated critters fight the villainous Gargamel (played by gay fave Hank Azaria).

Larry Crowne (July 1): Tom Hanks and Julia Roberts reunite in this dramedy co-written by Hanks and Nia Vardalos. Vardalos previously wrote and starred in My Big Fat Greek Wedding and Connie and Carla, both popular among GLBT viewers. Hanks, who played gay in 1993's Philadelphia and won an Academy Award for it, directs as well as stars as a recently laid-off man who decides to go back to college.

Snow Flower and the Secret Fan (July 15): Femme-centric director Wayne Wang (The Joy Luck Club) returns with a new tale about forbidden friendship between two young women in 19th-century China. Several modern-day scenes include one in a Shanghai nightclub that features a musical cameo by Hugh Jackman.

Friends with Benefits (July 22): Justin Timberlake headlines and reportedly shows a lot of skin in this romantic comedy that has him and hot co-star Mila Kunis (a recent Golden Globe nominee for her bisexual turn in Black Swan) grappling with unexpected emotions that intrude into their initially strictly-sexual relationship. Will Gluck, who made last year's delightful Easy A, directs and Woody Harrelson plays a gay role!


The Perfect Host (July 1): Out actor David Hyde Pierce stars as a man planning a lavish dinner party at which a bank robber hiding from the police shows up in this dark comedy-thriller. Singer-actress Helen Reddy, long absent from the screen since her 1970's heyday, is in the supporting cast.

The Help (August 12): Based on the bestselling novel that details the lives of African-American maids in the early 1960's and the white families for whom they work. The film's star-studded cast includes Emma Stone (also an alum of Easy A), Sissy Spacek, Allison Janney, Viola Davis and Cicely Tyson.

Circumstance (August 19): A lesbian love story set in repressive Iran, this movie has been hailed by some as the best of numerous GLBT-themed entries at this year's Sundance Film Festival. While it is American-produced, much of it was secretly shot in Iran.

Conan the Barbarian (August 19): Summer will end on a hunky note, as newcomer Jason Momoa inherits Arnold Schwarzenegger's loincloth to become Robert E. Howard's classic warrior. Stephen Lang (Avatar) plays his supernaturally-powered nemesis.

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.

Reverend's Reviews: That's Show Biz

Magicians and ventriloquists may be considered by some to inhabit the lower rungs of the show business ladder, but that doesn't give pause to the diverse group of aspirants on display in two new documentaries, Dumbstruck and Make Believe (both opening today in Los Angeles). While one is more accomplished than the other, they make a fascinating "double feature."

Dumbstruck (playing exclusively at Landmark's Regent Theatre, where writer-director Mark Goffman, producer Lindsay Goffman and Dan Horn, one of the ventriloquists featured, will be appearing at select opening weekend shows) follows five voice-throwing puppeteers. They are a 14-year old white boy who operates a black dummy; a six-foot-five woman who has been ostracized by her family; a cruise ship performer with a failing marriage (Horn, who Arizona readers may recognize from his days on The Wallace and Ladmo Show); a former Miss Ohio, whose mother bemoans "She always played with the little puppets; I thought it would end as she got older"; and Terry Fator, the rare success to score a $100 million contract at a Las Vegas resort.

While the filmmakers do a good job showcasing their subjects' talents, I found the movie a bit lacking in exploring their personal lives and motivations. Wilma, the plus-sized former security guard turned ventriloquist, shares "I can say things that I can't say as myself or I'd get fired or beat up" so long as she has her puppet in hand. That's about as far as Dumbstruck goes, though, in revealing what keeps these people devoted to their craft against numerous obstacles. Similarly, we are told Horn's wife is planning to divorce him due to his long periods away from her and their family, but we never hear his wife's or kids' perspective firsthand. We also don't learn what grievance Wilma's family has against her, so the film serves as an accessory to the proverbial "elephant in the room."

On the other hand, Make Believe (which won prominent awards at last year's LA and Austin Film Festivals) more than satisfies with its multi-layered approach to an assortment of teenaged, wannabe magicians from the US, Japan and South Africa. They converge at the 2009 World Magic Seminar in Las Vegas, referred to as "the Magic Olympics," where superstar illusionist Lance Burton will ultimately name one of them Teen World Champion. We see their performances in full, and also meet the young people's friends, family members, classmates and mentors.

"Magic is borderless," according to the impressive Hiroki Hara, an 18-year old Japanese contestant. One-half of a poverty-stricken duo from Cape Town says, "With magic, we're trying to find out who we are as a person." And Bill Koch, a 19-year old magician-musician from Ohio, shares his mantra: "The goal is excellence, nothing less." Such wisdom "from the mouths of babes" could put many older performers in the entertainment industry to shame. Make Believe also provides viewers a rare inside look at LA's famed Magic Castle, with openly gay board member and actor Neil Patrick Harris making a brief appearance.

Make Believe, by the proficient filmmaking team behind 2007's The King of Kong: A Fistful of Quarters and beautifully shot by Richard Marcus, reaches deep into its magic hat and pulls out a treasury of human and show business revelations. Especially when viewed in conjunction with Dumbstruck, I gained a greater appreciation for those willing to risk all for their respective craft... including the risk of being christened a misfit in our modern, high-tech entertainment world.

Reverend's Ratings:
Dumbstruck: B-
Make Believe: A

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.

Toon Talk: Yo Ho-Hum

By the time a successful film franchise hits the fourth installment, a certain formula has usually settled in. In the case of Disney’s hit Pirates of the Caribbean movies, such by-now familiar aspects include a complex plot steeped in legendary pirate lore, a rogues’ gallery of mythical and/or magical characters, enough double crosses and double-double crosses to make your eyes cross, and plenty of swashbuckling stunts and special effects spectacle.

All that, as well as Johnny Depp’s swarthy, swishy Captain Jack Sparrow, are on hand in Pirates of the Caribbean: On Stranger Tides, in theaters now. Gone are original trilogy director Gore Virbinski and lovebirds Orlando Bloom and Keira Knightley. In their place are Academy Award nominated director Rob Marshall (of the glitzy and gritty musicals Chicago and Nine fame) and a love interest for Captain Jack himself, played by Oscar winning actress Penélope Cruz.

But even with this mixture of old and new blood, On Stranger Tides is curiously lacking in excitement, as if we’ve all rode this E ticket too many times to care much any more...

Click here to continue reading my Toon Talk review of Pirates of the Caribbean: On Stranger Tides at LaughingPlace.com.

Reverend's Interview: Mike Mills Memorializes His Gay Dad in Beginners

No one was more surprised than graphic artist turned filmmaker Mike Mills when his father came out as a gay man shortly after the death of Mills' mother. Mills has parlayed his unusual experience into the alternately funny and dramatic new movie Beginners, which opens June 3 in Los Angeles and will expand throughout California and the nation next month. I had the opportunity to watch the movie in advance and speak with Mills about it.

"I have so much at stake with this project: My memories of my dad and my career as a filmmaker," the sensitive, soft-spoken screenwriter/director said. "I feel more like a sharer than an author." Beginners is only Mills' third cinematic outing, following the 2005 film festival favorite Thumbsucker and the 2007 documentary Does Your Soul Have a Cold? "This script was developed with the belief that something this personal can become universal."

Mills' father was 75 years old when he came out and had been married to his mother for 45 years. When his parents married in the 1950's, conservatism and homophobia were the norm in the United States. Mills' father told his wife-to-be he was gay prior to their marriage. She was Jewish, and faced as much difficulty fitting into post-war America as he did. Subsequently, Mills says, "My mom took off her Jewish badge and he took off his gay badge."

Following his mother's death and dad's revelation, their son watched with equal parts surprise, confusion and admiration as his father became heavily involved in Southern California gay life and began a relationship with a younger man. "He just started living this explosive new life," marveled Mills. "He became more emotionally alive than I'd ever seen him." Just five years later, however, the elder Mills was diagnosed with terminal cancer and passed away. His father's death served as the true catalyst for what would become Beginners.

Mills was fortunate to secure the participation of two fine actors in the roles based on his father and himself: Christopher Plummer (The Sound of Music and an Oscar nominee for 2009's The Last Station) and gay favorite Ewan McGregor (Moulin Rouge!, Star Wars Episodes 1-3). The filmmaker wrote them both very personal, impassioned letters asking them to be in his movie. While both actors were initially hesitant to play characters so close to Mills, they eventually agreed based on the strength of Mills' screenplay and his reassurance that they could make the parts their own. They deliver excellent performances, as do fellow cast members Mary Page Keller (as Mills' mother), Mélanie Laurent (Inglourious Basterds) and ER's Goran Visnjic, who plays Mills' father's late-in-life boyfriend. An impressive Jack Russell terrier also plays a pivotal role.

"The experience I'm most trying to communicate with Beginners is that of an adventure, the feeling of something breaking open," Mills shared. "While this film has illness and death, it's about beginnings, change, and how deeply funny life can be in its most serious moments." It is a touching movie with truly universal appeal. As Mills has learned via feedback from audience members at early screenings, his father's long-closeted homosexuality wasn't as unique as the filmmaker originally thought.

Beginners is composed of both autobiographical and fictional elements. "I wanted to root around between the way things really happened and the way we choose to remember them," Mills says. In the film, Mills goes back and forth between events in 1955, when his parents married, and 2003, when his father died. The historical sequences include a powerful gay rights montage set to words about "becoming real" taken from the classic children's book, The Velveteen Rabbit.

"The film is hopefully asking, 'What is real, anyway?' Are these memories real, or did I get them wrong?" according to Mills. "I lived with a man whose biography was somewhat fictionalized, a performance of sorts. He had to hide deep, personal, intimate things."

While Beginners tells a broader story than just a gay-themed one, there is considerable gay interest in it. "To be honest, the gay community is the audience I am most concerned about," Mills told me. "My dad's gayness taught me so much as a straight man, but it's definitely a film by a straight man curious about his gay dad and I'm not sure how that will resonate." I assured Mills I didn't think he has anything to worry about; between Plummer's liberated performance and the overall humanity of the film, Beginners will move gay and straight viewers alike.

"I do think my father would have loved coming out to the world through Beginners," Mills concluded. "He would have seen it as keeping the party going — but with a larger invite list."

Interview by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.

Reverend's Preview: From Chastity to Chaz

Even though I was just a few years older than she was, I vividly remember little 2-year old Chastity Bono sending all us viewers a good night kiss at the end of her parents' hit 1970's TV show, The Sonny and Cher Comedy Hour. Her mother, of course, went on to become an acclaimed solo singer and Academy Award-winning actress. Her father was a sometime actor (including a role in the original Hairspray) before serving as mayor of Palm Springs and, a few years later, dying tragically in a ski accident.

And little Chastity? Well, she is now a he in the wake of successful gender-reassignment surgery and hormone therapy that began in 2009. Having legally changed his name to Chaz Salvatore Bono (the middle name was his father's birth name), the now-son of Sonny and Cher is the subject of an eye-opening documentary, Becoming Chaz. It is scheduled to premiere on OWN: The Oprah Winfrey Network tomorrow night, but Reverend got an advance look at the film.

"I've hated my body since puberty," Chaz says on camera of his pre-op state. "In high school, I often went to bed praying I would wake up as a boy." He started considering transitioning from female to male in the late 1990's as he saw cultural acceptance growing, partly due to the acclaimed movie Boys Don't Cry. Chaz gratefully recalls Sonny encouraging him to dress and act like a boy following his parents' divorce when Chaz was four years old.

Years prior to the decision to transition, Chastity had come out publicly as a lesbian. Jennifer Elia, Chaz's longtime partner, plays an integral part in the documentary. A recovering alcoholic, Jennifer's sobriety is put to the test during the "exhausting process" of Chaz's surgery and recovery. Chaz's own, 10-year addiction to prescription painkillers proved its own challenge, resulting in a low tolerance to the drugs intended to give him comfort during and after his initial operation and following six years of abstinence.

"I believe this happened when it was meant to happen," Chaz says of his transition. The post-op Chaz appears much happier in the documentary than he does before surgery, whether he is playing video games with good friend RuPaul, buying a suit for the premiere of his mother's movie Burlesque, or serving as a role model/consultant to trans children and their parents. On bravely going public with his decision to transition, Chaz reveals, "I'm doing this to try to put a public face on a serious issue."

Becoming Chaz also helps to answer a long-standing question on the lips of many: what has been Cher's reaction to her only daughter's decision to become a male? (She has a biological son by fellow singer Greg Allman.) Cher was initially silent but allows this film's accomplished directors, Fenton Bailey and Randy Barbato (who previously made 101 Rent Boys, Party Monster and the wonderful The Eyes of Tammy Faye) to interview her extensively.

"I wasn't happy," Cher says of her first reaction to Chaz's decision to go public. She later recounts hearing Chastity's (female) voice for the last time on her answering machine. "That's when it hit me." Whereas Jennifer does call Cher from the recovery room following Chaz's surgery to assure her everything had gone well, Cher apparently couldn't bring herself to be there personally.

One scene in the film shows Chaz watching his mother's appearance on Late Night with David Letterman in late 2010, and being moved by Cher's first public or private reference then to Chaz as a "he." Cher clearly continues wrestling with her child's decision but seems to be coming along. Be sure to watch through the end credits of Becoming Chaz to see Cher's and Chaz's face-to-face reunion at the Burlesque premiere.

Immediately following tomorrow's broadcast of Becoming Chaz on OWN, Rosie O'Donnell will interview Chaz and the filmmakers about their experience making it on The Doc Club with Rosie O'Donnell.

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.

Happy Mother's Day!

from Movie Dearest

DOJ files brief in support of health care reform law

[JURIST] The US Department of Justice (DOJ) [official website] on Friday filed a brief [text, PDF] with the US Court of Appeals for the Eleventh Circuit [official website], arguing that the health care reform law [HR 3590; JURIST news archive] is constitutional. In January, a judge for the US District Court for the Northern District of Florida struck down the law [JURIST report] as a violation of the Commerce Clause [Cornell LII backgrounder] of the US Constitution. In its brief, the DOJ argued that the interstate health market can be regulated by Congress because it is fundamentally different from other markets due to the pervasive government involvement in health care spending. It also argued that the minimum coverage provision, which is the focus of the litigation, is constitutional because it regulates only economic activity, disputing the lower court's finding that failure to purchase health insurance could not be regulated as interstate commerce. Citing to the US Supreme Court case of Gonzales v. Raich [JURIST report], the brief argued that there only needed to be a rational basis [Cornell LII backgrounder] for Congress to believe that the regulated conduct substantially affects interstate commerce, which was met here.

Congress's findings and the legislative record leave no doubt that the minimum coverage provision—which regulates the way people pay for services in the interstate health care market—is a valid exercise of the commerce power under the standards established by the Supreme Court. It regulates activity that is commercial and economic in nature, and that substantially affects interstate commerce. First, Congress found that people who consume health care without insurance shift billions of dollars of costs annually to other participants in the interstate health care market. Second, Congress found that the minimum coverage provision is key to the viability of the Act's regulation of medical underwriting, which guarantees that everyone will be insurable regardless of illnesses or accidents.

The DOJ also argued that the law was constitutional as an exercise of Congress's taxing power, and that plaintiffs did not have standing to bring the suit in the first place. The Eleventh Circuit denied the petition for initial hearing en banc [JURIST report] in the appeal. The order confirmed that the appeal will nonetheless be expedited. Oral arguments are currently scheduled for June 8 before a randomly-selected three-judge panel. The identities of the panel members will not be disclosed until at least 14 days before the arguments. Last month, the Obama administration filed a brief with the court contesting the plaintiff states' request [JURIST report] to have the appeal heard by an en banc court. Last month, Virginia Attorney General Kenneth Cuccinelli filed a petition for a writ of certiorari [JURIST report] with the US Supreme Court asking the court to rule on the constitutionality of the law on an expedited basis, before the US Court of Appeals for the Fourth Circuit rules on the issue, but the Obama administration opposes the petition [JURIST report]. In January, a judge for the US District Court for the Western District of Virginia dismissed a lawsuit [JURIST report] challenging a provision of the health care reform law. In October, a federal judge in Michigan ruled that the law is constitutional [JURIST report] under the Commerce Clause as it addresses the economic effects of health care decisions, and that it does not represent an unconstitutional direct ta

Health Care’s Strain on Environment Could Be Less

A new study suggests health IT systems can help reduce negative impacts on the environment. Photo: Wikimedia Commons, Norbert Kaiser

A Kaiser Permanente study into the use of health information technology concludes that electronic health records could lower carbon dioxide emissions by as much as 1.7 million tons if used across the whole U.S. population.
Health care-related activities contribute as much as 8 percent of the total U.S. greenhouse gas emissions, but the study suggests this can be curtailed with greater adoption of technology within the healthcare system.
READ: Health Care Reform’s Eco Impact
The study also went in depth on Kaiser Permanente’s existing health IT systems. It found that the health insurance company saved 1,044 tons of paper for medical charts; reduced toxic chemicals by 33.3 tons from X-ray machines by digitizing and archiving scans; and saved up to 92,000 tons of CO2 emissions by replacing face-to-face patient visits with virtual ones.
In 2004, President Bush signed an executive order to establish this kind of technology in hospitals, not only for the environmental benefits, but also for the improved efficiency and economic value. A RAND Health study found that widespread adoption of health information technology could save the U.S. healthcare system $81 billion annually.
But until recently, adoption numbers have been low.
Last year, the top five medical groups, including Kaiser Permanente, banded together to create a patient information exchange consisting entirely of electronic health records.
Obama administration incentives, up to $44,000 per physician, may have helped spur the endeavor, but health information technology has a long way to go before all of the potential benefits are see

Canucks Vs. Predators, Game 4: Ryan Kesler Becomes The Hero In Vancouver's 4-2 Victory

Ryan Kesler hadn't scored in the playoffs before heading to Nashville. The land of honky-tonk bars and neon dreams has served Kesler well as he has three goals in two games including two game winning goals for the Canucks. His second game winning goal in two nights have given the Canucks a 4-2 victory in Game 4 and a 3-1 series lead over the Predators.
Nashville's Cody Franson scored his first career playoff goal early in the third on a puck that couldn't even be seen by the television cameras. David Legwand set the play up behind the net and found Cody Franson at the blue line. Franson wound up and shot the puck which went in the net, but was lost by Vancouver goaltender Roberto Luongo and all of the television cameras in the building.
Vancouver regained the lead off of a Ryan Kesler goal at the 7:28 mark of the third period on a Ryan Kesler goal. Kesler entered the zone on the powerplay and powered his way past two Nashville defensemen and found a open spot to beat Pekka Rinne. It is Kesler's second game winning goal, his first of the playoffs coming on the powerplay in Game 3. The Canucks sealed the deal with an empty net goal late in the third period.
The Canucks offense outshot the Predators 28-21 in the game and winning goaltender Roberto Luongo made 19 saves in the win. In the loss, Pekka Rinne made 25 saves.

Royal in a thriller

In a match that swung vigorously from side to side , Royal pulled off a hard fought 11 points (1 try and 2 penalties) to 10 (2 tries) win over Isipathana to regain the Major Milroy Fernando Memorial Trophy at the Royal Sports Complex grounds yesterday.

Royal captain and Number 8 Shehan Pathirana tries to break off from a tackle by a Isipathana player. An incident in the Royal-Isipathana school rugby encounter which Royal won 11-10 to regain the Milroy Fernando Trophy at the Royal Sports Complex grounds yesterday. Pic: Kavindra Perera

Royal almost handed over the game on a platter to their opponents when in the second half while working their three quarter line a Royal player dropped the ball and a Isipathana player booted the loose ball into the Royal territory and Mekalanka Pramod fell over a to score a unconverted try.
With the score reading 11-10 in favour of Royal , Isipathana had their last chance to push for a win but the last minute penalty was missed by Prashan Attanayake.
Isipathana ran the ball and made full use of possession at every opportunity and at times poor ball handling at crucial moments deprived them from scoring.
Royal played with their forwards, but could not make much headway due to some effective tackling by Isipathana. During the major part of the first half Royal defence looked fragile but Isipathana could not really capitalise on it.
Isipathana missed their first scoring opportunity when skipper Prasad Devinda missed a relatively easy thirty five meter penalty. Then Mekalanka Pramod covered good ground to touch down claiming a try, but referee Pradeep Fernando disallowed it due to knocking on.
Arshad Jamaldeen missed an easy 25 meter penalty for Royal and both teams were trying hard to break the dead lock.
Finally Isipathana managed to draw first blood through their winger Mekalanka Pramod who touched down for an unconverted try and Isipathana led 5-0. Isipathana should have added another three points to their tally not for skipper Prasad Devinda failing to put over a penalty. Arshad Jamaldeen reduced the deficit 3-5 by firing over a penalty.
Isipathana led 5-3 at the breather.
On resumption Jamaldeen put over another penalty for Royal to take the lead 6-5.
Royal playing with better cohesion scored their first try when Arshad Jamaldeen's cross kick was followed by the winger and skipper Shehan Pathirana who gave the finishing touches falling over. Jamaldeen missed a difficult conversion.
During the mid second half Royal made a costly mistake when their three quarters dropped the ball near their goal line and a Isipathana player Mekalanka Pramod booted the ball and fell over.
Play was held up in semi darkness due to a section of the crowd throwing objects at the side referee soon after a Isipathana player was sent off the field.
When play resumed Isipathana was awarded a penalty and their last chance of winning faded away when Attanayake fluffed with the kick.

LeBron James, Dwyane Wade Destroy Celtics Down the Stretch to Help Heat Take 2-0 Series Lead

IAMI -- With seven minutes left in the Celtics' Game 2 of their Eastern Conference semifinal series with the Miami Heat, they had a clean slate and a chance to steal a difficult road win from the South Beach behemoth.
It was 80-80. After all the minor injuries, all the scoreless stretches and all the explosions of athleticism and scoring from LeBron James and Dwyane Wade, it was even-steven. All the Celtics needed was one last push to pull off a comeback win, tie the series 1-1, and head home with a chance to pull away.

Instead, they watched the Heat go off for a 14-0 run, and they're headed back to Boston with their tail between their legs, down 2-0.

"They scored and we couldn't score," Doc Rivers said. "Honestly, let's just simplify it.

"I always say that if we can't score down the stretch, that's always on me. I've got to do something different. I've got to go to Paul [Pierce] more. I've got to get Ray [Allen] more shots. But I've got to tell you, for me today was tough, because I didn't know who the hell was healthy."

That's pretty much where the Celtics stand right now -- aside from being defeated twice in Miami on the scoreboard, they're also looking defeated physically. Rajon Rondo battled back pain on Tuesday night, Pierce left early with a strained foot, and Allen revealed postgame that he needed medical attention Tuesday night after taking a hard elbow from James and feeling short of breath. Not to mention a certain 39-year-old Hall of Fame-bound big man.

The C's had been through a lot in 41 minutes on Tuesday night. They just didn't have enough left in the tank for the final seven.

Between the 7:09 and 3:19 marks in the fourth quarter, the Celtics went without a single point. They tried to get the ball inside, but at a certain point it just wasn't happening for them. They started settling for jumpers, they kept missing, and the discouragement just kept building.

Meanwhile, LeBron and Wade were slicing and dicing the Celtics' defense, cruising late to a 102-91 win. This much has been proven -- if the game is reduced to a battle of individual scorers, then you might as well anoint the Heat now.

"We're not winning that way," Rivers said. "I told you that before the series started. We're not a one-on-one basketball team. I think Paul may be the only one, really, that can beat guys on his own. But they're going to send help, usually with Rondo's guy, making it difficult for him to do that. That's just not who we are."

The Celtics' 2-0 deficit is no fluke. Through two games, they've been the far inferior team. They went into enemy territory and got outplayed by two fantastic players thriving in front of their home crowd. Wade had 38 points in Game 1, James had 35 in Game 2. They haven't just been hot, right now, they're just better.

The C's have never been down 2-0 in the Big Three era. The last time Boston trailed a postseason series after two games, it was the first round of the Eastern Conference playoffs in 2004, against the Pacers. Back before Jermaine O'Neal was a Celtic, James Jones was on the Heat and Reggie Miller was on TNT, they teamed up to sweep Boston in the playoffs.

For this group? This is a totally new situation. And it's one that they'll have to stew in for the next three days.

"I've learned over the course of my life and my career that the adversity that we face is ultimately what makes us who we are," Allen said. "That's why we're all here. Being down 2-0 doesn't scare any of us. It doesn't make us nervous. It's just an opportunity to come out and shine. We have an opportunity to go home and play in front of our crowd and put some good basketball out there."

The layoff -- Game 3 isn't until 8 p.m. Saturday -- couldn't possibly come at a better time. The Celtics need a few days to erase the effects of these first two games, both physically and mentally, and as luck would have it those days are on the schedule.

The Celtics are down. Soon, they might be out. But they have some time to refresh themselves and refocus for what's ahead.

"The rest is good," Rivers said. "It's very good for us, because we are a little banged up. Tomorrow I told them to go golfing, go do whatever they want to do. Stay away from each other, stay away from film, and just stay away from basketball. Just relax. Then we'll get right back at it on the next day and build up until Game 3. Game 3 will be in Boston, and we like being in Bosto

BP to Pay $25 Million as Penalty for Alaskan Oil Pipeline Spill in 2006

On May 3, BP Exploration Alaska, Inc. made an agreement to pay $25 million as a penalty to Alaska.  This penalty came to BP as a result of spilling more than 5,000 barrels of crude oil from its pipelines on Alaska’s North Slope in 2006. About $20 million of the fee that BP is required to pay will go to Oil Spill Liability Trust Fund, and the remaining amount will be put into the US Treasury.
The cause of the spill was corrosion of BP’s pipeline.  The Alaskan government filed suit against BP in Anchorage federal court in March 2009 for inadequate maintenance.
Representation for BP was given by Randal Buckendorf, chief counsel, as well as outside counsel Carol Dinkins, who is from Vinsen & Elkins Houston office.
According to Ignacia Moreno, assistant attorney general for the Justice Department’s Environment and Natural Resources Division, “This penalty should serve as a wake-up call to all pipeline operators that they will be held accountable for the safety of their operations…”
It has already cost BP $200 million to replace the leaky pipelines, and according to the settlement yesterday, it is now required to develop a program that is system-wide to manage the integrity of its 1,600 miles of pipeline on the North Slope of Alaska, which will cost about $60 million more.
Since the spill in 2006, BP also paid a criminal fine of $20 million after pleading guilty in 2007 to a misdemeanor violation of the Clean Water Act.

Sony Ericsson Xperia Mini and Xperia Mini Pro Android 2.3 (Gingerbread) Smartphone Announced

ony Ericsson revealed plans to introduce its second generation with two new Xperia minis: the Xperia Mini and Xperia Mini Pro smartphone.
The new Xperia mini line has two options: the standard version, and the "pro" version which has a slide-out keyboard. In many other respects, however, these devices have undergone quite a bit of change.
In the first place, because they have a bigger 3.0" screen, the Xperia Mini is actually slightly larger than the previous generation. The width and thickness have remained the same across generations, however.

Secondly, the screen resolution has been bumped up from 240 x 320 (QVGA) to 320 x 480 (HVGA), an improvement which coincides with the improved 720p 5 megapixles video camera capability of the device. Sony Ericsson says the Xperia Mini will be the smallest HD-capable Android smartphone available.
Finally, it has been equipped with a 1GHz Qualcomm Snapdragon processor and Android 2.3 (Gingerbread).
Xperia Mini is a GSM-compatible device, with support for HSPA (900/2100) and GPRS/EDGE (850/900/1800/1900) or HSPA (850/1900/2100) and GPRS/EDGE (850/900/1800/1900).

Reverend's Reviews: Dragons Slays

Director Roland Joffe has had some major highs (Best Picture and Best Director Oscar nominations for his first two movies, The Killing Fields and The Mission) and significant lows (Super Mario Bros., which he produced; the sexed-up, Demi Moore version of The Scarlet Letter; 2007's torture-porn flick Captivity) in his 27-year film career. He returns to surer, more classical footing with There Be Dragons, a visually stunning, undeniably intriguing saga about a controversial Catholic saint. The film, released nationwide by Samuel Goldwyn Films today, is being heavily promoted among clergy and church groups, à la The Passion of the Christ.

Josemaria Escriva (played here by Charlie Cox, best known from Stardust and the Heath Ledger-starrer Casanova) was a young priest during the Spanish Civil War of the 1930's. He received a vision that showed him one didn't have to become a member of the clergy or live an overtly religious life to do God's will in one's life. Escriva subsequently founded Opus Dei, Latin for "Work of God," which is probably best known among moviegoers as the conspiratorial, murderous order depicted in The Da Vinci Code. While Escriva is shown flagellating himself in one scene in There Be Dragons, not unlike the self-abusing albino monk played by Paul Bettany in Ron Howard's 2006 movie, the resemblances pretty much stop there. Escriva, who died in 1975, was canonized as "the saint of the ordinary" in 2002 by Pope John Paul II (who was just beatified himself). Today, Opus Dei counts 90,000 members worldwide, including the new Archbishop of Los Angeles and two of this film's producers.

To its credit, Joffe's screenplay takes as much inspiration from Oscar Wilde's famous (and truthful) quote, "Every saint has a past, and every sinner has a future" as it does Escriva's biography. There Be Dragons features a decades-spanning mystery as its main storyline. An investigative journalist (played by Dougray Scott of Mission: Impossible II and Desperate Housewives, among other credits) is writing a book about Escriva, whom his elderly father knew personally as a young man. Escriva and the writer's father, Manolo (a strong turn by American Beauty's Wes Bentley), were fellow seminarians for a time and became close friends. They parted ways, however, when Manolo enlisted in the war effort.

While Escriva is founding Opus Dei, Manolo becomes enmeshed in a love triangle between himself, his military leader (Rodrigo Santoro of 300 and I Love You Phillip Morris) and a lovely Hungarian revolutionary played by recent Bond girl Olga Kurylenko (Quantum of Solace). Secrets are buried and both friendship and faith become tested in these characters' wake.

There Be Dragons is overly earnest at times, and the film's array of British and American actors don't even try to play Spaniards convincingly. Cox makes an attractive and admirable man of God, but Escriva as written here is mostly one-dimensional. An impressive supporting cast of pros including Derek Jacobi, Geraldine Chaplin and Charles Dance helps to give the movie greater credibility.

The production is beautifully designed by Oscar-winner Eugenio Zanetti (What Dreams May Come) and photographed in gorgeous hues by Gabriel Beristain (Derek Jarman's Caravaggio). There Be Dragons is truly one of the best-looking movies in recent memory.
I came away wishing it were a bit more objective in depicting a recent saint about whom much is known as well as the religious order he founded, but this is still one of the more genuinely spiritual contemporary films to hit the big screen.

Reverend's Rating: B

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.

Reverend's Report: TCM Classic Film Festival 2011

In only its second year, this past weekend's TCM Classic Film Festival in Hollywood had noticeably greater attendance over the initial outing in 2010 and sold out all passes. The fest also featured an increased number of screenings, celebrity appearances and special events. Clearly, a new star has been born on the ever-expanding and diversified film festival circuit, and TCM plans to build on their success not only with a third event in 2012 but a first-time classic movie lovers' cruise this December.

Signs that the 2011 festival would be bigger than the first were in evidence opening night, with the addition of a bleacher area for people to watch red carpet arrivals for the opening night selection, a lovingly restored 60th anniversary edition of An American in Paris. The 1951 Best Picture Oscar winner's co-star (with Gene Kelly), Leslie Caron, was in attendance and reportedly charmed the crowd with her radiance and recollections.

While we had tickets for the oversold screening of An American in Paris, my partner and I willingly sacrificed them in order to attend a simultaneous showing of one of our few mutual all-time favorites: 1947's The Ghost and Mrs. Muir. Neither of us had ever seen it on the big screen, and it was a wonderful experience to view it "the way it was meant to be seen" as so many TCM Fest films are rightly presented.

Dorothy Herrmann (one of the daughters of the film's composer, Bernard Herrmann) was on hand to introduce the film and relate how its score was her esteemed father's personal favorite. "It sure wasn't Psycho," she said of her dad's preference for his work on The Ghost and Mrs. Muir, to the amusement of the audience. Herrmann was represented at the festival by a number of films in a special tribute that included Citizen Kane, 1951's The Day the Earth Stood Still, and Martin Scorsese's Taxi Driver, the latter of which served as his final film score.

Rex Harrison and Gene Tierney (in roles reportedly slated originally for Spencer Tracy and Katharine Hepburn) memorably play characters who gradually fall in love despite the ultimate taboo: he's dead and she's alive. In this respect, The Ghost and Mrs. Muir may hold special resonance to this day for GLBT viewers who have felt love impossible for them, or for anyone who is still searching for that one "immortal" relationship.

The great Peter O'Toole graced the fest in person on both Friday and Saturday. On Friday, he attended a screening of 1964's Becket, in which he co-starred with Richard Burton, and sat down for a lengthy chat about his life and career with TCM's Robert Osborne that will be broadcast later this year. On Saturday, O'Toole was immortalized in front of Grauman's Chinese Theatre by placing his hands and feet in cement. "It's been years since I've been this intimate with concrete," O'Toole told the crowd in a very funny, self-effacing nod to his drinking years. Sober for some time now, O'Toole's appearance will definitely be remembered as one of the festival's highlights. Also noteworthy was Friday night's appearance by Kirk Douglas to introduce Stanley Kubrick's Spartacus. While long past his loincloth-clad prime as seen in the 1960 epic, Douglas followed his stealing of this year's Oscar telecast with a number of memorable comments.

On Sunday, I took in back-to-back screenings of two renowned films I'd never seen: the rarely-shown British drama Whistle Down the Wind (1961) and George Stevens' much-acclaimed literary adaptation A Place in the Sun (1951), based on Theodore Dreiser's An American Tragedy. The former is a still-provocative piece about children who mistake an escaped killer (Alan Bates, in his first lead film role) hiding in their barn for the second coming of Jesus Christ. Produced by eventual Oscar-winner Richard Attenborough (Gandhi) and the first film directed by Bryan Forbes (who would go on to make the original version of The Stepford Wives among other movies), Whistle Down the Wind impressively walks a very fine line between affirming faith and denouncing it.

Hayley Mills, daughter of actor John Mills and headlining ingénue of Whistle Down the Wind as well as a number of 1960's Walt Disney productions, was on hand to discuss the film, adapted from an allegorical story written by her mother, and her enduring legacy as an actress. "It's normal for kids to act," Mills replied in response to the question whether she was a "natural" actress. "I was terribly lucky," she said in all humility. She recounted her first day on the set of Disney's classic Pollyanna as "the most stressful and challenging" of her entire career, not least because she had impulsively cut her bangs off the night before shooting to the dismay of the production team. Mills, who has more recently appeared on stage in The King and I and in a number of TV series, is as lovely and vivacious now in her mid-60's as ever.

A Place in the Sun, which was nominated for Best Picture but lost to An American in Paris much to some film lovers' enduring dismay, was a revelation. The movie's packed screening during the TCM fest was designated a tribute to the late Elizabeth Taylor, who stars in the film alongside Oscar nominees Montgomery Clift and Shelley Winters. Clift (who was never more attractive on screen than he is here between the tight white t-shirts he sports and, tragically, a near-crippling car accident he was in a few years later) plays the poor son of a Kansas religious worker who does everything he can to infiltrate the upper class, including possibly killing his pregnant girlfriend (Winters).

One would never think Clift was gay (he was, though deeply conflicted) based on his smolderingly heterosexual performance here. Taylor declared that between Stevens' direction and her partnering with Clift, A Place in the Sun was the film that taught her what it meant to truly act. Oscar-winning actress Eva Marie Saint, who co-starred with Taylor in both Raintree County and The Sandpiper, spoke admiringly with Robert Osborne after the screening about the impact of Taylor's work and life.

The festival's closing night on Sunday offered three equally tempting films at the same time: Who's Afraid of Virginia Woolf?, also starring Taylor; a 70mm print of West Side Story; and Disney's classic pairing of music and visuals, Fantasia. I opted for the latter, and was impressed by the number of younger patrons who came out to see what was for most of them the first opportunity they had to see the movie on the big screen (its last theatrical release was in 1990).

Fantasia was as spectacular as ever as shown in a beautifully restored, vibrantly colored digital print in Grauman's Chinese Theatre. Dancer-choreographer Marge Champion was in attendance (she reportedly served as a model for the ballerina-hippo in the film's Dance of the Hours segment), as was Walt Disney's daughter, Diane. The audience watched and listened in rapt silence, apart from moments when it was appropriate to laugh, and applauded heartily at the end of each of the movie's "movements."

The TCM Classic Movie Festival prides itself on catering to a "community" of reverent film lovers from around the world, and that community was out in force in Hollywood the last weekend of April. Kudos to MCs Osborne, Ben Mankiewicz and Leonard Maltin as well as to chief programmer Charlie Tabesh for their contagious dedication to the art, history and cultural impact of the industry's best work.

Report by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.

Bollywood News: Salman Khan Next Movie Karan Johar's Helmer

1) Karan Johar has approached Salman Khan for his next production. The movie will be directed by Rensil D.Silva,Kurbaan fame Helmer.

2) Bhansali and Shabina Khan officially announce Akshay Kumar starrer Rowdy Rathore. Meera takes back her accusations against Mahesh Bhatt.

3) Priyanka Chopra prays at the shrine of saint Khwaja Moinuddin Chishti at Ajmer. Karan Ditches Friend Shah Rukh Khan, wants Salman.

4) Delhi high court declines to stay release of Chalo Dilli. Indian-American filmmakers Patang premieres in Tribeca.

5) Tusshar Kapoor and Amrita Rao's mutual admiration society. Katrina Kaif denies approaching Pankaj Kapoor for role.

6) Salman Khan has shown his philanthropic side on many occasions and at the music launch of his upcoming film Ready.

7) Salman Khan pays tribute to Raj kapoor, Dilip Kumar in Ready. Bollywood actor Shiney Ahuja appeals rape conviction.

8) Dum Maaro Dum mints Rs. 6.2 crore on opening day. Aishwarya Rai, Sonam kapoor, Frieda Pinto set to dazzle on cannes red carpet.

9) Every one calls him a prankster, but Bollywood actor Abhishek Bachchan refuses 2 accept the tag and says that he just likes having fun on the sets.

10) New miss India Kanishtha Dhankar wants to uplift rural masses. Vikram Bhatts haunted 3d to be dubbed in Spanish.

11) Dum Maaro Dum cleared for released by Goa high court. Abhishek Bachchan's hip-hop album to release this year.

12) I have challenged myself with dear friend hitler:Neha Dhupia. Salman Khan, Sonakshi Sinha most searched Indian celebrities on the Website.

13) Deepika Padukone refuses big money to dance, at private bash. Celina Jaitley latest photo shoot for Jashan saree.

14) The organizers of the fist tattoo convention in India, has chosen Bollywood actress Deepika Padukone as the tattoo queen.

15) Salman Khan signed up as the brand ambassador of rotomac pens. Suniel Shetty to organise akons birthday bash in Mumbai.

16) Love is in the air especially for Ranbir Kapoor and Katrina Kaif. They both share a special bond, which is more than friendship.

17) Superstar Salman Khan has been signed up as the brand ambassador of Rotomac Pens (which previously had Raveena Tandon as its brand ambassador).

18) Abhishek Bachchan top Bollywood brand endorser. Shahid Kapoor promotes vegetarianism in new peta ad.

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